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Sunday, February 19, 2012

The role of an artist manager.


Nowadays, we see many artists that have opted to represent themselves and become their own managers. While for many of them, representing themselves without help is a successful task, for others it may be difficult and limiting to their growing as artist. The main reason that explains why artists should have managers, instead of managing themselves, is because it is not only time-consuming, but because the development of business-mind is required. In most of the cases, the way in which reality is seeing by an artist is very difficult than somebody that sees a potential successful business in somebody else.

When we talk about managing, it is important to define correctly what the word manager, in the entertainment world, means: the person in charge of running the business side of an artist or a band; this means their career. There are different positions/roles an artist manager develop depending in the situation of the band or artist. If a small label signs a band, the artist manager works as accountant, promoter, and agent among others. The manager is the one that is on the top of everything involving the band/artist as a business. On the other hand, if the artist/band is signed by a major (big) label, the role of the manager changes and he/she becomes the supervisor of other people, whom are in charge of those different aspects, such us, finance, promoting, gigs, etc. In a major label company, the manager is forced to delegate the job to others, and focus developing strategic plans to improve the band fame, which is associated with money and profit.

Having a manager, for an artist is very beneficial because of many reasons. Even though an artist should know the dynamics of the entertainment/music business, most of the time they don’t; and the manager is the one that takes care of the marketing and accounting, while the artist can focus in creating music, or improve stage performances. Another benefit consists in how the artist is perceived. Having a manager helps the artists give the impression that they're are not alone, and there is someone by their side fighting for their good. Major label companies; try to take advantages of the new artist, by signing them into contact that is not beneficial for them. The role of the manager is to protect the artist because if the artist is successful, he/she will be too.

Sunday, February 5, 2012

Palm beach competition gone!


For over 42 years, the Palm Beach competition has been developing programs for aspiring classical singers. The competition was established for the first time in 1969, with the intention of creating a pad for those who dream in becoming part of the performing arts. These competitions (Palm Beach Grand Opera) are one of the most prestigious in the country. Every year, hundreds of singers apply for this chance, and of all the applications, only a few have the chance to show their talent.

There are two divisions: Advance division, between ages 24 to 29, and junior division, between the ages of 18 to 23. In the junior category, out of all the applicants, only 23 have the opportunity to compete, and in the Advance category only 45. From both categories, the winners win a big amount of money, plus the opportunity to perform with complete orchestra. In the past competitions, the winners have been very successful with their careers; and have become world-leading singers.

An issue that recently emerged is that for 2012 they decided to cancel the competitions, which is seeing under eyes of many as 42 years of success all gone. The company decided to do something like that in order to expand their already existing young artists programs; which all of them already provide profit. Now, is this a good idea? I really don’t know the truth is that for many singers that one opportunity is gone.

As a singer, I am always looking forward to find experiences and opportunities to increase my knowledge and my potential. Now that Palm Beach Opera made such final decision, there is one opportunity less.

On the other hand, even though, the expansion of young artists programs may represent a limitation for some aspiring singers, for the ones already in, it represents the big chance to participate nationally in concerts and auditions. This year, the auditions were held in New York City, on January 26, 27 and 28, and the fee was $40 non-refundable. The submission of headshots, resume and citizen ship copy was also required.